We often like to point out other people’s biases, but why don’t we examine our own? In the mercurial You Can See Everything, Nathan Fielder and Lance Oppenheim explore this question through a mind-bending kaleidoscope of perspectives, semantics, and doubt. By the end, the most unsettling subject isn’t Elizabeth Holmes but the documentarian himself, and the audience, who, like Fielder, tend to hear exactly what we need to.

In this piece, Sam Dameron reviews Zach Cregger’s newest film, Resident Evil. A horror-comedy, based on the popular game series of the same name.