In this review, Sadie Cho argues that Strange Way of Life (2023) fails to make a meaningful contribution to the queer filmscape because of its refusal to acknowledge the real force keeping gay lovers apart in period films: homophobia.

In this article, Jackson Palmer evaluates the casting in Marty Supreme (2025) to decipher what causes this cast's stand-out impression among Josh Safdie’s filmography, and how such a cast can pave the way for the future of Hollywood’s casting process.