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Theory & Criticism


Red, White, and Bruised: Eddington and the Machinery of American Collapse
What could possibly be more terrifying than the reality Americans wake up to every day? Certainly not the typical horror films filled with witches, vampires or zombies, which may carry some allegorical weight but rarely land with the force they intend to. No, the real horror is watching our leaders lie on national television, appoint officials who echo the language and behavior of fascists, and watching our basic human rights erode in real time while the country collectively
48 minutes ago7 min read


Blood in the Archive: Thesis (1996)
Alejandro Amenábar’s debut Thesis fuses horror and thriller to probe our fascination with violence. This essay explores its metafilmic nature, tracing how voyeurism and desire emerge through plot, form, and setting—offering a prophetic reflection on today’s audience.
1 day ago4 min read


Eternal Sunshine of the Movie Metaphor
We’ve all watched a movie with that pretentious person who insists that every single narrative element is a metaphor for something. You might hear them say “the curtains were blue to symbolize death,” or “the speed limit sign was 55 to symbolize drug abuse,” and other far-reaching, nonsensical comparisons. More often than not, these people's favorite movies are the ones where nothing that is happening is actually happening. Take American Psycho , where every scene can be unde
4 days ago7 min read


What if the Best Advice You Could get Came From…Yourself? Exploring Betterment through The Double Life of Véronique and Mickey 17
In the world of cinema, the concept of “betterment” often coincides with violent themes: narratives of ambition, vindication, or survival. But what happens when two films—one a somber European mystery and the other a cerebral sci-fi epic—approach self-improvement from the perspective of listening to yourself ? Krzysztof Kieślowski’s The Double Life of Véronique (1991) and Bong Joon-ho’s Mickey 17 (2024) might seem worlds apart, yet both explore how memory, intuition, and pass
May 74 min read


Glorious Incoherence; Grotesque Realism: David Lynch’s Eraserhead as Cult Cinema Epitomized
Cult cinema is fundamentally atypical. During your first viewing of a ‘cult classic,’ you might find it difficult to contain your...
Apr 258 min read


Building a Structure: The Brutalist and the Use of Artificial Intelligence in Filmmaking
The Brutalist (2024), directed by Brady Corbet, is an ambitious VistaVision epic spanning architecture, immigration, class struggle,...
Mar 294 min read


Consumptive Desire: Symbolic Eating in Guadagnino’s Bones and All
Throughout his career as a filmmaker, Luca Guadagnino has defined himself as a master—both aesthetically and diegetically—of depicting...
Dec 15, 20247 min read


The Aestheticization of Whiteness on Tumblr
Tumblr is a microblogging and social networking website founded in 2007 that allows members to post multimedia content. Popularized in...
Dec 15, 20244 min read
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