Hannah Smith

In her article, Hannah Smith analyzes believability and subjectivity in Lance Oppenheim and Nathan Fielder’s You Can See Everything (2026) through a focus on camera work and dialogue. She argues that the questions their documentary asks are not ones of truth, but ones that hinge on belief—or disbelief—in the subject.

This review contains spoilers. Park Chan-wook’s newest feature film No Other Choice is a South Korean capitalist critique through a provocative lens. It follows You Man-soo (Lee Byung-hun), a “paperman” of 25 years who has been fired as a manager from his company after restructuring by the new American owners. This prompts him to plan the murders of the three other men eligible for a job opening at the successful company Moon Paper, taking them out so that he can pass the interview without a...